大唐题咏诗创作第一人:论张祜的题咏诗  

On Zhang Hu’s Narration-and-Intoning-Style Poems in the Tang Dynasty

作　　者：王辉斌[1] 

机构地区：[1]襄樊学院中文系,湖北襄樊441053

出　　处：《南阳师范学院学报》2009年第11期64-69,共6页Journal of Nanyang Normal University

摘　　要：在唐代进行题咏诗创作的诗人中,晚唐诗人张祜以82首之数量,而成为唐代大量创作题咏诗的第一人。从题咏的对象言,张祜的题咏诗大致可分为五类:寺院禅林类,是张祜结缘佛禅、交游僧侣的结果;亭台楼阁类,除纪游外更兼景物描写的艺术特质;凭吊历史类,抒发了诗人对于现实的不平之愤;园林山居类,可与山水田园诗派的田园诗媲美,而题画类,则是作者审美思想的具体反映。其中,寺院禅林、亭台楼阁、园林山居三类,对中晚唐交替时期山水诗的繁荣与发展,起到了无可替代的作用。在艺术方面,张祜的题咏诗以对仗精工、境界多样而著称。Among the poets who engaged in the creation Dynasty, Zhang Hu, a poet in the late Tang Dynasty, ranked of narration-and-intoning-style poems in the Tang the first in terms of mass production of narration- and-intoning-style poems, who had wrote 82 poems in the regard. According to the objects of narration and intoning, Zhang Hu＇s narration-and-intoning-style Buddhist temples, which are a result of Zhang poems can be classified into five types： first, monasteries or Hu＇s attachment to Buddhism and association with monks; pavilions and towers, which features not only traveling descriptions but also landscape depictions; meditation and eulogy on history, which give vent to his dissatisfaction with and grievances of the reality; gardens and mountains, which are comparable with the pastoral poems of the school of landscape and idyllic poetry; and poems inscribed on paintings, which are the specific reflection of his aesthetic ideology. Of the above five types, the poems featuring monasteries or Buddhist temples, pavilions and towers, and gardens and mountains, had had an irreplaceable role to play in prospering and developing the landscape poetry in the transitional period from the mid-Tang Dynasty to the late-Tang Dynasty. With regard to artistic aspects, narration-and-intoning-style poems Zhang Hu are known for their fine antitheses, and multiple realms.

关 键 词：张祜 题咏诗 艺术境界 审美价值 

分 类 号：I206.2[文学—中国文学]