罗蒂后哲学美学思想的两个维度  

On the Two Dimensions of Richard Porty's Post Philosophy-Aesthetics

作　　者：张清民[1] 

机构地区：[1]河南大学文学院,河南开封475001

出　　处：《河北学刊》2010年第1期49-53,共5页Hebei Academic Journal

摘　　要：罗蒂的后哲学美学是介于欧洲大陆唯理论与英美经验论之间的新实用主义美学形态,其性质属于社会与文化美学。罗蒂的后哲学美学有两个精神维度:第一,消解审美形而上学,抵制理性化、逻辑化、知识化、形式化的审美文化形式,反对本体论层面的本质主义及认识论层面的基础主义、表象主义,反对镜式美学及其所追求的深度模式;第二,建构多维文化目标,确定新的文化美学主题。从真、善、美的角度说,其目标是促进社会进步,增进人民幸福;从解释学的角度说,其目标是加强对话,减少痛苦;从反讽与教化的角度说,是逃避通约,走向创造;从哲学文学化的角度说,是偏离概念,关注人生。消解与重构两个维度紧紧围绕一个目标:营造和平、幸福、优雅的生活,如果民主、幸福与抽象观念发生冲突,那么,"民主先于哲学"。Porty＇ s post philosophy - aesthetics belongs to new pragmatism and social and cultural aesthet- ics in its nature. There are two spiritual dimensions. First, to clear up aesthetical metaphysics, such as rejecting aesthetical cultural forms of reason, logic, knowledge and so on. Second, to establish cultural goal of multi - dimensions and decide the theme of cultural aesthetics in order to promote the social development. In the perspective of philosophical literature, concept is fewer and life is more. There is one key goal that peace, happiness and elegant life are created.

关 键 词：罗蒂 后哲学美学 消解审美形而上学 建构多维文化目标 

分 类 号：B565.6[哲学宗教—外国哲学]