用心灵的音符谱成美的颂歌——从格律音韵角度看济慈的《希腊古瓮颂》  

With Heart Notes Composing an Ode for Beauty:On Ode on a Grecian Urn from Prosodic Perspective

作　　者：靳乾[1] 王丽华[2] 

机构地区：[1]河北师范大学外国语学院,河北石家庄050000 [2]石家庄学院图书馆,河北石家庄050035

出　　处：《石家庄学院学报》2010年第1期26-30,共5页Journal of Shijiazhuang University

摘　　要：济慈著名的颂诗《希腊古瓮颂》在学界有着丰富的研究。从格律及音韵变化的角度结合格律研究者Paul Fussell的文学批评理论对这首诗进行重新解读后发现,济慈诗歌创作中的音韵格律与其诗歌意义、感官原则、审美观点有机地统一了起来,并起到了完美的融合与烘托作用,展现出了他对美追求过程中的另一种新视角。More researches have been done in Keats＇ s Ode on a Grecian Urn. And this paper,based on metrical researcher Paul Fussell＇ s theory, makes a further analysis of the poem from the prosodic and metrical point of view. Through re-interpretation, the paper argues that the meter and rhyme Keats used are consistent with his meaning of poetry, sensory principles and aesthetic point of view, thereby achieving a perfect integration and foil. Such just shows a new perspective in Keats＇ endless pursuit of beauty.

关 键 词：希腊古瓮颂 济慈 格律 音韵 

分 类 号：I106.2[文学—世界文学]