《唱论》“宫调声情说”新探  

A New Exploration of "Theory on the Sound and Emotion of Music Mode" in On Songs

作　　者：张孝进[1] 

机构地区：[1]黄山学院安徽非物质文化遗产研究中心,安徽黄山245041

出　　处：《黄山学院学报》2009年第6期58-60,共3页Journal of Huangshan University

基　　金：安徽省高等学校青年教师科研资助计划项目(2004jqw86)

摘　　要：《唱论》作者燕南芝庵首倡的"宫调声情说"是著名的曲学难题,是研治古代音乐与古代曲学的学者都难以回避的话题。从一定的宫调自身有无声情,《唱论》所言宫调是否就指元曲的宫调,《唱论》对各宫调声情的描述是否合理、准确,宫调的声情与文本的文情是否一定一致等问题入手,得出结论:"宫调声情说"是古代音乐家长期实践的总结,不能够轻易地加以否定,同时也不能把它绝对化,认为毫无问题。就《唱论》而言,"宫调声情说"指词而不指曲,指单曲(词)而不指套数。＂Theory on the Sound and Emotion of Music Mode＂ initiated by Yannan Zhian, the author of On Songs, is one of the most difficult topics in the field of song study which can hardly be avoided by the scholars who study ancient music and ancient songs. Starting with a few closely related issues such as whether a certain music mode itself has sound and emotion or not; whether the music mode in On Songs refers to that in Yuan Songs or not; whether the description of the sound and emotion of the music mode in On Songs is reasonable and accurate or not; whether the sound and emotion of music mode must be in accordance with the emotion expressed in texts or not, this paper draws a conclusion that ＂Theory on the Sound and Emotion of Music Mode＂ is a summary of long-term practice of ancient musicians. It can neither be denied easily, nor accepted absolutely. In terms of On Songs, ＂Theory on the Sound and Emotion of Music Mode＂ is concerned with poems instead of songs, to be exact, single song （poem） instead of a cycle of songs.

关 键 词：唱论 宫调 声情 文情 

分 类 号：J616.1[艺术—音乐]