欲望美学的文论与当代中国文论建设——欲望美学与文学艺术的欲望化  

Desire Aesthetics Literary Theory and Construction of Contemporary Literary Theory of China

作　　者：张玉能[1] 

机构地区：[1]华中师范大学文学院,湖北武汉430079

出　　处：《孝感学院学报》2010年第1期36-39,共4页JOURNAL OF XIAOGAN UNIVERSITY

基　　金：教育部人文社科研究项目(06JA75011-44015)

摘　　要：法国思想家鲍德里亚对后现代社会的性质——消费社会的研究,揭示了消费社会的文学艺术变成了纯粹的符号再生产,以大众媒介为手段消费社会成为了一个"仿象"的"超现实"社会,提出了非常现实的消费文化的理论问题和人类消费欲望化的现实问题,给我们建构中国特色当代文论提供了一个参照系:我们的中国当代文论应该关注日常生活的消费问题、消费欲望化问题,引导大众文化健康发展,以真正实现日常生活审美化,防止日常生活的欲望化。French thinker Baudrillard＇ s research on property of postmodernism society： consumption society has revealed that art and literature of consumption society become pure symbol＇ s reproduction and consumption society become a simulacra ＇ s hyperreal society by mass media,advanced the very realistic consumption cultural theoretical problem and human consumption desire realistic problem. It provides a reference frame for us to construct Chinese characteristic contemporary literary theory that our contemporary literary theory of China should pay close attention to consumption problem of daily life, consumption desire problem, and guide mass culture to develop healthily, so that realize daily life aesthetics truly and guard against daily life desire.

关 键 词：欲望美学的文论 消费社会 符号再生产 仿象 消费文化论 

分 类 号：I02[文学—文学理论]