外在的张扬与内在的传统——谈《小城三月》中的城市与女性  

The External Openness and the Inner Tradition——On the City and the Female in the Novel The Small City in March

作　　者：王言锋[1] 

机构地区：[1]大连大学文学院,辽宁大连116622

出　　处：《信阳师范学院学报（哲学社会科学版）》2010年第1期136-138,148,共4页Journal of Xinyang Normal University(Philosophy and Social Sciences Edition)

基　　金：辽宁省社会科学规划基金项目(L07BZW007)

摘　　要：萧红的小说《小城三月》通过城市中的青年女性在城市物质时尚上的追寻、婚姻情爱上的保守,反映了城市女性在新旧观念间的游走,展示了20世纪20年代前后中国城市女性的生活状态、精神面貌以及苦闷的内心。小说自然地将女性与城市相呼应,委婉地表现出了城市新的气息和传统内质的冲突。揭示了刚刚步入现代的城市和女性,在外在的时尚与张扬的华衣下,仍然无法彻底摆脱内在的传统与守旧的境况。Xiao Hong＇ s novel The Small City in March describes the young female in the city chasing material and vogue, marriage love conservation, reflects the city females roving around between the new and the old idea and shows Chinese city females in the twenties in the 20th century living appearance, spirit feature and the heart of the depression. The novel naturally combines the female and city, tactfully expresses the conflietion between the city new breathing and tradition, which depicting the modem city and female, though under the beautiful cover of outside fashion and making open, still can＇ t break away from inner tradition and circumstances of conservation.

关 键 词：萧红 《小城三月》 城市 女性 

分 类 号：I206.6[文学—中国文学]