论中国古代艺术史研究的缺陷和发展方向  

On the Defects and Developing Direction of Ancient Chinese Art History Research

作　　者：孙长初[1] 

机构地区：[1]东南大学艺术学院,江苏南京210096

出　　处：《南京艺术学院学报（美术与设计）》2010年第1期20-23,共4页Journal of Nanjing Arts Institute:Fine Arts & Design

摘　　要：中国古代艺术史的研究由于时代的局限性,在20世纪80年代以前主要从事的是以传世的中国古代书画艺术品及其艺术文献为研究对象的工作,造成了艺术史研究过程中只重形而上的书画艺术品、孤立研究艺术作品及其作者等缺陷。中国艺术考古学理论和实践的开展,田野考古调查和发掘出土的古代艺术品的不断涌现,不但弥补了艺术史研究对象的不足,而且为艺术史研究提供了新的研究对象和研究方法,更为中国古代艺术史研究的发展指明了方向。Because of the limitations of era,the research on ancient Chinese art history mainly treated the Chinese painting and calligraphy and their artistic documentary handed down from the ancient times as its research objects before the 1980s,which caused the defects that the research emphasized only on painting and calligraphy works and separated the works from the artists.The launch of the theory and practice of art archeaology,as well as the continuous emergence of archeaological field investigation and unearthed ancient art works,is making up of the insufficiency of research objects of art history,and providing new research objects and methods,even pointing out the developing direction for the ancient Chinese art history research.

关 键 词：古代艺术史研究 缺陷 艺术考古学 发展方向 

分 类 号：J102.9[艺术—艺术理论]