论《梧门诗话》中的“毗陵七子”  

On "Piling Seven" in "Wu Men Poetry"

作　　者：蓝士英[1] 

机构地区：[1]江苏技术师范学院人文社科学院,江苏常州213000

出　　处：《职教通讯（江苏技术师范学院学报）》2009年第12期113-116,共4页

摘　　要：《梧门诗话》为清人法式善所著,是研究乾嘉诗坛诗人思想及其诗歌作品的重要文献。"毗陵七子"作为一个地域性的文人群体,其名俱列于《梧门诗话》,然而,"七子"之称并未在本诗话中出现,可能与对文字狱的避忌有关。"七子"在本诗话中分散出现,频率大致与各人知名度吻合。法式善在选录七人诗歌时,角度有异,但总体评价均甚精准,并影响后世研究。七子均在诗话中出现,既与法式善的交游广泛有关,也与七子之间频繁唱和有关,是这个文学群体创作实力的展示。＂Wu Men Poetry＂, written by Fa Shishan in Qing Dynasty, was to study the Qian Jia poetry with the poet＇s idea of the important documents. ＂Piling Seven＂, as a regional group, was listed in the ＂Wu Men Poetry＂. However, ＂Seven＂ didn＇t appear in this Poetry. It may be related to the bar on the right literary inquisition. ＂Seven＂ appeared in the Poetry in the dispersion, frequency roughly in line with each profile. Fa Shishan＇s election was recorded for seven people of good poetry, the angles were different, but the overall evaluation was very accurate, and affected later studies. ＂Seven＂ have occurred in Poetry, which related to Fa Shishan＇s wide friends circle, as well as ＂Seven＂＇s joining in the chorus frequently. It＇s the power display of this literate group.

关 键 词：《梧门诗话》 法式善 毗陵七子 

分 类 号：I207.22[文学—中国文学]