“艺术精神的掌握”的本质内涵及其理论依据  

"Mastery of the Artistic Spirit":Its Connotation and Theoretical Foundation

作　　者：李定清[1] 

机构地区：[1]襄樊学院文学院,湖北襄樊441053

出　　处：《襄樊学院学报》2010年第1期53-58,共6页Journal of Xiangfan University

摘　　要："艺术精神的掌握"是人对世界掌握方式中的一种独特方式,作为文学艺术的本质规定,它也是文学艺术区别于其它意识形态形式的重要标示。其内涵既体现在认识论方面,同时也体现在实践论方面,它不仅包含着艺术认识的方法,而且包含着艺术实践的方法。艺术精神的掌握不仅指向对世界的认识、理解,还指向艺术作品的构思与表达,也即创作。这一命题的理论依据是人类有史以来全面丰富的文艺实践。因此,马克思主义经典作家从人与世界的关系及文艺自身的本质规律的角度提出"艺术精神的掌握"这一科学命题,无论在理论上还是实践上都具有划时代的意义。＂ Mastery of the artistic spirit＂ is one unique way by which people master the world, as the nature of literature and art, it is also an important mark which differs literature and art from other ideology forms. Its contents are not only reflected in the epistemology, but also reflected in the practice; it not only contains the acknowledging method of art, but also the method of art practice. ＂Mastery of the artistic spirit＂ not only includes acknowledging and understanding the world, but also points to the scheme and expression of art works which are called creation. The statement is based on abundant literary and artistic practice of human history. Therefore, Marxist classical writers＇ scientific statement, ＂Mastery of the artistic spirit＂, is of epoch - making significance both in theory and practice in terms of the human relations with the world and the literary ＆ art＇ s nature and discipline.

关 键 词：艺术掌握 文学艺术 意识形态 

分 类 号：I02[文学—文学理论]