从杜琪峰《枪火》解读香港强盗片  

Research into Hong Kong Gangster Films by Johnny To's Cheong Feng

作　　者：宋桂花[1] 李晶[2] 

机构地区：[1]临沂师范学院 学报编辑部,山东临沂276005 [2]浙江传媒学院 影视艺术学院,浙江杭州310018

出　　处：《临沂师范学院学报》2010年第1期80-84,共5页Journal of Linyi Teachers' College

摘　　要：香港电影在一百多年的发展期间,产生了形形色色的电影类型。然而时至今日,真正影响了全世界的,还是香港强盗片。它之所以能够在世界范围内产生如此强大的影响力,是和它独特的发展文化背景、低调的强盗形象、不同于世界的武侠环境、鲜明的女性形象及以静制动的个人风格分不开的。杜琪峰的《枪火》在此方面堪称经典。Various kinds of film genres were brought up during the development of the Hong Kong film in more than one hundred years. However, only Hong Kong gangster films have a real effect on the world film industry so far. The reason why it could have so widespread an influence is its particular cultural background, low-pitched gangster characteristics, martial arts circumstances, outstanding images of women and the director＇s own style of achieving action from staying still. Johnny To＇s Cheong Feng can be said to be classic in this genre.

关 键 词：香港强盗片 杜琪峰 文化背景 强盗图景 女性形象 以静制动 

分 类 号：I207.351[文学—中国文学]