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作 者:吕肖奂[1]
出 处:《广州大学学报(社会科学版)》2010年第2期61-67,共7页Journal of Guangzhou University:Social Science Edition
基 金:教育部人文社会科学重点研究基地项目基金资助(08JJD840193)
摘 要:南丰曾氏到了第五代已经全面衰落,文学创作与文化传承成为维持家族声名的最重要的方式。曾惇现存诗词均为绍兴中知黄州与台州所作,着意书写个人游赏清兴以表达"方外之乐",他继承曾氏家族第四代传统,与江西诗派变调诗人韩驹、徐俯、吕本中、曾几等人往来唱和甚密,诗歌受其影响;词以小令为主,能将洒脱与温婉结合。曾协仕途与声名不及曾惇,但现存诗词最多,其诗学苏轼、陈与义而有所变化,词有陈与义的疏爽洒脱。曾惇与曾协代表曾氏家族诗词的两种不太相同的风格取向,曾晦之、曾思的诗作接近曾惇。接近江西诗派仍是曾氏家族第五代的诗歌创作特点。The fifth generation of Zeng clan underwent an overall decline, thus literary creation and cultural heritage were their most important means to maintain family fame. Zeng dun's existing poems were written in Shaox- ing, mimicking "buddhist music" to express his romantic feelings during personal touring. He inherited Zeng family's tradition passed on from the fourth generation and his compositions were mostly short tonal poems, both free and gentle, influenced by Bian diao poets of Jiangxi School: Han Ju, Xu Fu, Lv Benzhong, and Zeng Ji with whom he had close contact. Zeng Xie had most existing poems, though less famous and lower in officialdom compared with Zeng Dun. His poems had an easy and free persona while imitating Shu Shi and Chen Yuyi. Zeng Huizi and Zeng Si are close to Zeng Dun. Poetry creation by the 5th generation of Zeng clan is close to Jiangxi School in oreintation while Zeng Dun and Zeng Xie represent two different styles.
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