在欲海浮沉中迷失自我的四位现代女性——《阿毛姑娘》《雷雨》《寒夜》《魔女》合论  

Four Modern Women Disoriented in Lust——The theory on Maid Ah Mao,Thunderstorm,Cold Night and Devilish Woman

作　　者：方忠[1] 

机构地区：[1]徐州师范大学文学院,江苏徐州221116

出　　处：《暨南学报（哲学社会科学版）》2010年第1期13-19,共7页Jinan Journal(Philosophy and Social Sciences)

基　　金：国家哲学社会科学基金项目<世界华文文学与中国现代文学传统>(批准号:09BZW065);江苏省哲学社会科学规划项目<20世纪台湾与大陆文学关系研究>(批准号:06JSBZW003)

摘　　要：女性的个性解放以及由此而造成的命运问题,是现代中国许多作家关注的一个焦点。尽管《阿毛姑娘》、《雷雨》、《寒夜》、《魔女》的体裁不尽相同,但它们在选材、人物关系的设置、人物命运的安排等方面,却有着许多相似之处。丁玲、曹禺、巴金、欧阳子等作家对相似题材所作出的同中有异的艺术处理,明显可看出作家们创作观念和审美方式的同构和差异。将这几篇作品组合起来,可以清晰地看到中国现代作家对女性个性解放和命运问题的连续性的思考。The liberation of women's personality and the resulting fate have been a focus that many writers in modern China concerned.Although Maid Ah Mao,Thunderstorm,Cold Night and Devilish Woman have different genres,they are common in many aspects,such as material selection,the relationship between character set and arrangement of character's fate.Many writers such as Ding Ling,Cao Yu,Ba Jin and Ouyang Zi have different artistic processing,which made the similar literature style.We can clearly see writers' isomorphism and differences between creative ideas and aesthetic approaches.Associated with these articles,modern Chinese writers' sullessive thinking on the liberation of women's personality and the resulting fate is obvious.

关 键 词：现代女性 个性解放 《阿毛姑娘》 《雷雨》 《寒夜》 《魔女》 

分 类 号：I206.6[文学—中国文学]