梦幻象征雾化现实——宗璞短篇《蜗居》的构思艺术  

Illusion Symbolizing Reality:The Artistic Design of Zong Pu's Short Story Living Like a Snail

作　　者：程良友[1] 

机构地区：[1]黄石理工学院师范学院,湖北黄石435003

出　　处：《四川教育学院学报》2009年第9期53-54,共2页Journal of Sichuan College of Education

摘　　要：许多作家借助梦幻的形式隐射现实,这是超现实主义的梦幻和象征的构思艺术。宗璞的短篇小说《蜗居》也运用梦幻象征手法,连篇累牍、不厌其烦地写幻觉和梦幻,描写了新中国历史上不堪回首的一段历史,正如同一场恶梦的历史。通过现实与幻觉、现实与梦境、现实与虚构的方法,不留痕迹地使梦幻和象征结为浑然一体,使读者产生非理性的直观感、直觉感。文中大量的自动写作的方法——不受意识控制状态下写作,这是超现实手法之一,体现宗璞在写作中的构思艺术。Many writers insinuate the reality with the aid of the illusion form, and this is the artistic design of surrealism illusion and symbol. Zong Pu＇s short story Living Like a Snail also uses this technique to describe a unbearable phase in the new Chinese history. By the methods of reality and illusion, reality and dreamland, reality and fiction, illusion and symbol are integrated as a whole. It causes the reader to have the irrational straight impression. The automatic writing method is adopted massively, which is one of ultra realistic techniques, and manifests Zong Pu＇s artistic design in writing.

关 键 词：梦幻 象征 现实 艺术 

分 类 号：I043[文学—文学理论]