“禅”释“反对阐释”  

"Against Interpretation" and Zen

作　　者：郝桂莲[1] 

机构地区：[1]云南师范大学外语学院,云南昆明650092

出　　处：《外国文学》2010年第1期76-82,共7页Foreign Literature

基　　金：教育部人文社会科学研究青年基金项目(09YJC752023)

摘　　要：从本质上来说,"反对阐释"旨在对现有的"枯竭式"批评模式进行反思,指出艺术既不再现外部世界,也不表现内心情感,而是一种独立的自我呈现。对于这种"独立呈现",我们应该运用"新感受力",直抵审美的本真状态。禅宗的"禅悟",在一定程度上就是这种本真状态的体验。本文拟从两者对语言、体验和对待终极意义的态度上说明"反对阐释"所暗含的禅意。Essentially speaking,'Against Interpretation' aims to reflect upon the current 'impoverished' mode of criticism,pointing out that art does not represent the exterior world,nor does it represent the interior feeling.Instead,it is what it is.Thus,we need to use our 'New Sensibility' to realize its aesthetic self when confronting this 'being'.Zen 'enlightenment' is,to a certain degree,a similar experience of this aesthetic self.This article tries to argue that 'Against Interpretation' may correspond to Zen doctrine in its attitudes towards language,experience and its ultimate purpose.

关 键 词：反对阐释 禅 新感受力 悟 

分 类 号：G0[文化科学]