想象·虚构·诱惑——论宇文所安文论中的“中国形象”  

Imagination,Invention and Seduction:China’s Image in Stephan Owen’s Literary Theory

作　　者：蒋述卓[1] 王瑛[1] 

机构地区：[1]暨南大学文学院

出　　处：《中国比较文学》2010年第1期94-101,共8页Comparative Literature in China

摘　　要：文论中的异国形象没有得到应有的关注。宇文所安文论中的中国形象存在变异,主要原因在于宇文所安西方学者的文化身份和视角预设了他对中国形象的看法,强烈的英语读者意识使其论述力图满足英语读者对中国的想象,在中国语境之外的观察角度、宇文所安的个人气质、以及中国古典诗歌固有的指意性与情味美学特征导致误读的产生。The other＇s image in literary criticism has not been paid enough attention.The China＇s image in literary criticism of Stephen Owen has been clistorted,becalse firstly,as a western scholar,before he criticed Chinese literacy,he had designed a China＇s image in advance;secondly,writeing for English readers,he must meet his readers,needs;thirdly,he watches China outside Chinese context;lastly,Stephen Owen＇s personality and the rich meaning of Chinese classical poetry would lead to wrong understandings.

关 键 词：宇文所安 文论 中国形象 

分 类 号：I206.2[文学—中国文学]