论明代白话短篇小说的情节设置  

On the Plot Setting of Novels in Colloquial Chinese of Ming Dynasty

作　　者：王言锋[1] 

机构地区：[1]大连大学文学院,辽宁大连116622

出　　处：《内江师范学院学报》2010年第3期15-17,共3页Journal of Neijiang Normal University

摘　　要：明中叶以后的白话短篇小说为了满足市民喜欢更迭变化的审美心理需求,在情节设置上,经常通过恰逢巧合、设置阻碍、突遭意外、发生误会、预设计谋、设下谜语、犯下错误等手段,达到了离奇、曲折、生动的情节效果。小说还用预告情节的方式,引起读者对情节的关注,并形成了平抑扬的情节模式,使读者在阅读过程中得到心理上的快感和审美上的愉悦。In order to meet the people＇s aesthetic needs for complicated plots, the novels in colloquial Chinese of the late half of Ming Dynasty achieved the effect of weirdness, labyrinth and vividness by means of setting coincidence and barriers, encountering suddenness and misunderstanding, setting scheme in advance and conundrum, committing mistakes, and etc. Besides, the novels foretold its plot to attract the attention from readers. This formed the mode of the flat style over the circumflex one, which makes readers achieve psychological and aesthetic happiness.

关 键 词：明代 白话短篇小说 情节 

分 类 号：I207.41[文学—中国文学]