1949年以来文学观念的演变与文学的发展  

Evolution of Literary Ideas and Development of Literature Since 1949

作　　者：古风[1] 

机构地区：[1]扬州大学文学院,江苏扬州225002

出　　处：《学术月刊》2010年第3期92-100,共9页Academic Monthly

基　　金：国家社会科学基金项目"存活在现代文论中的中国古代文论范畴研究"(05BZW004);教育部人文社会科学重大项目"中国现当代文学理论重要概念的起源和发展"(08JJD751074)的阶段性成果之一

摘　　要：1949年以来文学观念的演变可以分为两个时期:第一个时期,是新中国文学观念的建构期,由"意识形态论"、"反映论"、"语言论"和"工具论"合成社会主义文学观念体系;第二个时期,是新中国文学观念的发展期,出现了"生产论"、"主体论"、"活动论"、"审美论"和"人学论"等新的文学观念。中国当代文学观念由封闭到开放、由"一元"到"多元"的演变,对于文学创作、文学批评、文学理论和文学研究都产生了影响,促进或者阻碍了文学的发展。在过去的研究中,有一些问题被遮蔽了,诸如,是谁的文学观念?是哪种"文学"的观念?只能有一种文学观念吗?等等。文学观念的多少是衡量文学发展水平的标志。文学观念愈"多",表明文学生态愈好,文学就愈繁荣。所以,1949年以来文学观念由"一"到"多"的演变,是文学繁荣的表现,也是文学理论和批评进步的表现。The evolution of literary ideas since 1949 can be divided into to periods. The first period sees the construction of literary ideas in new China. A combined socialist system of literary ideas is composed of the theories of ＂ideology＂, ＂reflection＂, ＂language＂ and ＂instrument＂. The second period is the one of development in literary ideas in new China. There are new ideas, such as the theories of ＂production＂, ＂subjectivity＂, ＂activation＂, ＂aesthetics＂ and ＂human studies＂. The evolution of Chinese contemporary literary ideas from being enclosed to being opening, from being unified to being multiple, greatly influenced literary creation, criticism, literary theory and literary studies. Such changes have proved the thriving of literature and the progress of literary theory and criticism.

关 键 词：文学观念 文学发展 观念主体 观念客体 变与不变 一与多 

分 类 号：I206.7[文学—中国文学]