再论唐代律赋的体式标准  

Stylistic Standard of Rhymed Fu in the Tang Dynasty:Some More Comments

作　　者：赵俊波[1] 

机构地区：[1]四川师范大学文学院,成都610068

出　　处：《辽东学院学报（社会科学版）》2010年第2期79-84,共6页Journal of Liaodong University：Social Science Edition

基　　金：国家社会科学基金西部项目(06xzw005)

摘　　要：唐代律赋讲究四声八病,这正与永明之后的骈赋相同,说明律赋在声律方面以骈赋为标准,所以声律并不能代表唐代律赋的特质。相对而言,从产生、发展及时人的重视程度等方面来看,限韵却是律赋不同于骈赋的地方,所以律赋的根本特征是限韵。Four tones and eight faults was stressed in the rhymed Fu in the Tang Dynasty as the paralleled Fu after the Yongming period of the South Dynasty. This shows that the tone and rhyme standard of rhymed Fu is the same as the paralleled Fu, and the tone and rhyme can not be regarded as the feature of the rhymed Fu in the Tang Dynasty. Comparatively, from the origin, development and attached importance at that time, rhyme restriction of the rhymed Fu is a different character from the paralleled Fu; therefore, the essential feature of the rhymed Fu is rhyme restriction.

关 键 词：律赋 体式 骈赋 限韵 声律 

分 类 号：I222.4[文学—中国文学]