出走的爱情——从子君与白流苏看女性主体意识觉醒的悲剧  

Love, on the run——On the tragedy of female subjectivity awakening from the perception of Zijun and Bai Liusu

作　　者：邱美煊[1] 刘育君[2] 

机构地区：[1]龙岩学院,福建龙岩364000 [2]福建师范大学,福建福州350007

出　　处：《闽西职业技术学院学报》2010年第1期81-84,共4页Journal of Minxi Vocational and Technical College

摘　　要：鲁迅《伤逝》展示了"五四"一代知识分子代表子君和涓生在追求爱情自由道路上的不成熟及其引发的悲剧,张爱玲的《倾城之恋》中白流苏与范柳原处于战争年代的爱情投机,其看似幸福的结局里也隐藏着极大的悲剧因素。"五四"之后到20世纪40年代这一特定时期中,子君和流苏这两位文学史上富有代表性的女性,由于置身于强大的男性话语语境中,摆脱不了传统爱情观念的束缚和局限,尽管其不断努力于主体意识的觉醒,却有着走向苍凉归宿的必然。Shang shi, written by Lu Xun, tells a sail story about a couple during the ＂May gth Movement＂ named Zijun and Juan Sheng, whose tragedy resulted from their naive thinking of love. In Qing Cheng Zhi Lian, written by Eileen Chang, Bai Liusu and Fan Liuyuan fell in love in the 2nd World War, whose happy ending also seemed to be ambushed by unblessed factors.During the ＂May 4th Movement＂ to the 1940s, the created images of Zijun and Bai Liusu, who are typical female characters in Chinese literary history, involved in such a powerful male discourse context, can not shake off the shackles of traditional notion of love. Although they tried persistently awaking their female subjectivity, they were destined to their desolateness.

关 键 词：《伤逝》 《倾城之恋》 主体性 女性意识 悲剧 

分 类 号：I207.42[文学—中国文学]