绘画个性化语言的主导因素  

The formation of the Painting Language of Individuality

作　　者：刘芨杉[1] 

机构地区：[1]南京钟山学院艺术设计学院,江苏南京210000

出　　处：《南京艺术学院学报（美术与设计）》2010年第2期128-131,118,共5页Journal of Nanjing Arts Institute:Fine Arts & Design

摘　　要：绘画个性化语言是指一个艺术家不同于其他艺术家的独特的审美体验、创作视角和艺术表现手法,乃至对特定体裁、题材的偏好,及其对各种物质手段和艺术技巧具有独特风格的运用。绘画个性化语言包含艺术家先天所有的气质悟性、情绪记忆、形象思维、意志冲动等特性,还包括艺术家在后天实践中形成的生活经验、思想倾向、趣味理想、艺术能力等精神特点。绘画个性化语言的主导因素有两个方面:一是艺术家的生存状态,包括民族(种族)因素、地理气候因素和综合因素;二是艺术家在艺术创作活动中绘画个性化语言的表达需要。绘画个性化语言的最终确立,历经了艺术家的编码过程,又贯穿接受者的艺术欣赏过程——解码过程。换言之,绘画个性化语言是在艺术家编码与接受者解码的互动过程中形成的同构体。In the course of the construction of painting language, the uncertainty of cultural and artistic background of an artist and a receiver, decides the disproportion of painting language.The main factors of the painting language of individuality include two parts:one is the living conditions of an artist.Another one is the needs of an artist to express himself via the painting language of individuality in his individual creation, which could be seen nothing but everywhere, every periods, every sections and every aspects of the creative practice.The final establishment of the painting language of individuality, apart from the encoding course of the artist, is also the decoding course of the receiver while he is in appreciating as a guest.It has become the core of art creation to be in search of one's painting language of individuality.

关 键 词：绘画语言 绘画个性化语言 主导因素 

分 类 号：J202[艺术—美术]