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作 者:胡亭亭[1]
机构地区:[1]哈尔滨学院人文学院中文系,黑龙江哈尔滨150080
出 处:《海南师范大学学报(社会科学版)》2010年第1期10-14,共5页Journal of Hainan Normal University(Social Sciences)
基 金:黑龙江省教育厅新世纪高等学校教学改革工程项目"探究性阅读教学与学生能力培养的研究与实践";哈尔滨学院学科发展研究基金项目;项目编号:HXK200702
摘 要:庐隐小说大多从婚恋、家庭等角度来对女性生活及其命运进行书写,表现了纯粹的女性情绪世界。她以女性自身体验及生存境遇为依托,透过病妇独特的心理、感情、思想和欲望,展示了知识女性探究生命底蕴的苦闷与焦虑,以及爱情选择上的知与情的冲突,并借此对自我与社会进行双重探究及解剖。病情叙事既是她的观察视角,也是她的叙述视角,由此,我们看到了庐隐对社会秩序的焦虑与愤怒,她要借病妇形象来揭示女性个体与社会的失调和社会对女性的压抑。A great majority of Lu Yin′s novels tend to portray female life and destiny in the perspectives of love,marriage and family,thus having displayed the pure domain of female sentiments.Based on the personal experiences and the living circumstance of females,Lu Yin has managed to reveal the confusion and anxiety of female intellectuals in their probe into life meaning as well as the conflict between knowledge and emotion in their love pursuit by analyzing the unique psychology,sentiments,ideas and desires of sick females.Moreover,a dual probe and scrutiny is made into individuals and society.In her novels,the narrative of diseases is an perspective for observation and narration,from which can be discerned Lu Yin′s anxiety and indignation over society,for she wants to disclose the imbalance between female individuals and society as well as the suppression of females in society through the portrayal of sick females.
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