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作 者:陈蕾[1]
出 处:《泰山学院学报》2010年第2期37-41,共5页Journal of Taishan University
摘 要:历来学界论道咸宋诗派及同光体之"不俗观",往往多从诗学理论的角度阐发,其中尤以何绍基、陈衍等人的诗论为主。事实上,作为被后世同光体诗人追封为"鼻祖"的道咸诗人郑珍,其《巢经巢诗钞》的创作,恰是其"不俗观"最为活泼、生动的诗性载体。表面上看,郑珍的思想称不上理论与系统,但这种"在创作中见主张"的形式,不仅更符合诗人的身份气质,也显得更有血有肉、气韵生动,包孕着更丰富的生命体验与人文情怀。In the field of chinese classical poetry, it has been a common approach to reveal the "Anti - mediocrity" ideal of Dao - Xian Song - shi School and Tong - guang Style by their literary theories, which especially focus on the theorists like He Shaoji, Chen Yan and so on. In fact, as the previous "grand master" of Tong - guang poets , Zheng Zhen, one of the most ocrity" spirit with his vivid poetic practices. At first famous Dao -Xian poets, had embodied his "anti -mediglance , his ideal is not so much theoretical or systematical, but, its poetic expressive form is so vivid and charming that it not only makes good matches with his poet identity, but also contains much more life experience and humanities concern.
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