试论当代生态美学之核心范畴“家园意识”  

On "Home Consciousness"–the Core Category of Contemporary Ecological Aesthetics

作　　者：曾繁仁[1] 

机构地区：[1]山东大学文艺美学研究中心,山东济南250100

出　　处：《温州大学学报（社会科学版）》2010年第3期3-8,共6页Journal of Wenzhou University：Social Science Edition

基　　金：教育部人文社会科学重点研究基地重大项目(2009JJD750010)

摘　　要："家园意识"不仅包含着人与自然生态的审美关系,而且蕴涵着更为本真的人的诗意栖居之意,是生态存在论美学的核心范畴之一。它作为生态美学的重要范畴首先由海德格尔提出并阐发,并成为"同一个地球"这一现代生态观中的必有之意。而从源头上来说,它则是中西方文化的母题。在古代希腊神话与圣经中就有人类回归家园的内容,而中国古代《诗经》、《周易》与诗词中也包含浓郁的家园意识。"家园意识"具有重要的现代价值与意义,需要加以继承发扬。＂Home Consciousness＂ not only includes aesthetic relation between man and natural ecology, but also contains more natural meaning of man＇s poetic habitation. It is one of the core categories in ecological existentialist aesthetics. As an important category of ecological aesthetics, it was firstly put forward and expounded by Heidegger and became the essential meaning of modern ecological concept ＂the same earth＂ Analyzed from the source, it is the motif of Chinese and Western cultures. There are plots describing man＇s return to his home in ancient Greek mythology and the Bible, and strong consciousness of home is also included in The Book of Songs, The Book of Changes and other ancient Chinese poems. ＂Home Consciousness＂ has important modern value and significance, and it should be carried on and developed.

关 键 词：家园意识 生态存在论美学 现代生态观 母题 

分 类 号：B83-06[哲学宗教—美学]