《张胜温画卷》图序研究  

On the Order of Pictures in the Scroll Painting by Zhang Shengwen

作　　者：梁晓强[1] 

机构地区：[1]曲靖师范学院历史文化研究中心,云南曲靖655011

出　　处：《大理学院学报（综合版）》2010年第3期1-6,共6页Journal of Dali University

基　　金：国家社会科学基金资助项目(09BZS007)

摘　　要：《张胜温画卷》因为在历史上曾经经历过由卷轴散为册页,又恢复为卷轴的过程,因此出现了图序错乱的问题。而由于《张胜温画卷》上下两侧边缘的装饰图案之间存在交替对应的关系,为我们判断图序的正确与否提供了一个依据。更因《张胜温画卷》全部由图组组成,并且《画卷》图组之间存在大量借图现象,内容上存在严密的逻辑关系,又为我们提供了两个判别的标准。经研究发现,《张胜温画卷》是完整的,没有通常认为的缺失情况;而且《张胜温画卷》的图序大部分是正确的,错乱的只是个别图组及少数图幅。因此,清乾隆时期由国师章嘉活佛指导丁观鹏摹写的《法界源流图》,将《画卷》图序推倒重编的做法,以及对图幅随意进行增删的做法,与原作者的意图是格格不入和毫无关系的。The Scroll Painting by Zhang Shengwen was once scattered into separate pictures which were later combined into a painting scroll. In the process, the pictures failed to restore their original order. But the tradeoff and corresponding relationship between the decorative designs on the margin of the scroll offers a firm evidence for the original order of the pictures. In addition, the scroll painting is only composed of pictures which are partially overlapped and logically related in content, from which the other two standards for judging the order can be derived. Studies show that the Scroll Painting by Zhang Shengwen is complete with no loss of any pictures, and most of the pictures are in the right order, with a few of them in disorder. So the copy of the scroll made by Ding Guanpeng under the guidance of Zhang Jia, which is called Fajie Yuanlutu, failed to reflect the original work or the purpose of the painter, Zhang Shengwen, for it completely changed the original order of the pictures and added some new pictures to the painting as well as omitted some original ones.

关 键 词：宋代史 云南地方史 张胜温画卷 图序 研究 

分 类 号：K879.4[历史地理—考古学及博物馆学]