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作 者:张鹏飞[1]
机构地区:[1]安徽亳州师范高等专科学校中文系,安徽蒙城233500
出 处:《中华女子学院学报》2010年第2期71-75,共5页Journal of China Women's University
基 金:国家级社科基金艺术学项目(编号:07DD19);安徽省A类重点学科资助课题及安徽省教育厅人文社科研究项目基金课题(编号:2009SK482)"黄梅戏改革与传承研究"的阶段性成果
摘 要:华夏古典戏曲艺术既具有西方悲剧的一般特点,又富含中华民族的生命个性而在悲剧文化艺苑中别具风姿。盖因中国社会的封建正统文化深深地植根于炎黄子民的世俗生活、精神风范和审美意蕴,即世间万事均喜好尊崇"中庸之道"、"温柔敦厚",且讲究"仁"、"义"、"礼"、"智"、"信"的言行举止,注重达求"天人合一"的超脱佳境,故而始终张扬着戏曲"圆形叙事"模式的生命情趣。Chinese classical drama art has both the Western tragedy common characteristic and contains Chinese nation's life individuality quite richly,but in the tragedy culture artistic and literary realm other extraordinary splendor graceful bearing,because Chinese society's feudal legitimate culture takes root deeply in Chinese common custom life,the energetic style and the esthetic implication. All things like venerating "the Golden Mean" "gently,honest" ,and is fastidious about "the humane","righteousness","the ritual","the wisdom","the truth" the words and deeds manner pays great attention to reaching perferct harmony between nature and buman,therefore makes widely known the drama "the circular to narrate".
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