试论战国秦汉时期儒、道互补文艺观的演变  

On The Evolution of Literary Arts View of Confucian and Taoism Complementation during the Time of Warring States,Qin and Han Dynasty

作　　者：潘俊杰[1,2,3] 

机构地区：[1]南京大学哲学系 [2]中国石油大学华东人文社科学院 [3]山东师范大学齐鲁文化研究中心,兼职研究员南京210093

出　　处：《浙江社会科学》2010年第5期102-105,共4页Zhejiang Social Sciences

基　　金：国家社科规划基金项目阶段成果;项目编号:08BZS006

摘　　要：儒、道两个学派在战国时期的争鸣和在汉初的互绌,既有学术思想上不同的原因,也有政治斗争等方面的因素。秦汉时期,儒、道在政治等领域争夺主导话语权的互绌,并未妨碍二者在学术思想上的进一步融合。儒、道的文艺思想在许多方面是相通的,例如,在审美特征的论述上,在审美标准的主张上;儒、道的文艺思想在许多方面论述的侧重不同,恰巧构成为古代文论互补的结构。儒、道互补的文艺观是汉赋得以形成的理论基础,同时汉赋作品也表现出来这种互补的文艺思想。The Confucian and Taoism,contending in Warring States time and the beginning of the Han dynasty,not only because of the different academic thought,but also the political struggle.It did not hinder the amalgamation of their academic thought academic although their struggle in the political leadership.Their literary thoughts were interlinked in many aspects,for example,on the aesthetic characteristic,the aesthetic standard.They have different emphases which constituted the supplementary structure.The Complementation of Confucian and Taoism literary arts view is the theoretic base of Han-Fu,simultaneously,the Han-Fu works also display this kind of complementation literary thought.

关 键 词：战国秦汉时期 儒家 道家 文艺观 演变 

分 类 号：I206.2[文学—中国文学]