中国岩画线条的审美特征  

The Aesthetic Character of Chinese Rock Art

作　　者：朱媛[1] 

机构地区：[1]华东师范大学人文学院,上海200241

出　　处：《北京理工大学学报（社会科学版）》2010年第3期128-131,共4页Journal of Beijing Institute of Technology：Social Sciences Edition

基　　金：国家社会科学基金项目(09BZX063);华东师范大学2010年优博基金项目(2010016)

摘　　要：中国岩画的构图要素中线条最为普见。中国岩画线条的刻画技法可分为凿刻、磨刻、线刻与涂绘,分别交揉着浮雕与绘画两种刻画效果。线条形状有直线、曲线两大类,其中曲线的运用更是多姿多彩,包括圆形曲线、弧线、波纹线、蛇线等。线条的存在方式分为实线与虚线,虚线的使用更能激发审美想象力。中国岩画线条的分布具有对称、均衡、重复等规则,表现了中国岩画自成一体的同一性。与国外岩画相比,中国岩画线条呈现出粗犷质朴、爽朗有序、矫健有力的艺术风格,显露出对规则与秩序的追求,表现出中国远古先民们率真、简约而又整齐划一的审美风尚。Among the components of Chinese rock art, line is the most universal. The producing techniques of Chinese rock art can be divided into chiseling, rubbing, scratching and painting, which show the effects of both drawing and relieve. The shapes of Chinese rock art include beeline and curve, with the later including variables of rotundity such as arc, and ripple, snaky, etc. Rock art line has two types, i.e., real line and broken line. Chinese rock art arranges its lines according to the principles of symmetry, equilibrium and repetition. Compared with foreign rock arts, Chinese rock arts are plain, regular, and strenuous. Those features demonstrate the aesthetic ideas of the ancient Chinese who valued straightforwardness, simplicity and uniformity.

关 键 词：中国岩画 线条 审美特征 

分 类 号：J218.6[艺术—美术]