中国比较美学:回顾与反思  

Chinese Comparative Aesthetics:Review and Reflection

作　　者：陈伟[1] 

机构地区：[1]上海师范大学比较文学与世界文学研究中心,上海200233

出　　处：《学术月刊》2010年第5期98-103,共6页Academic Monthly

基　　金：国家社科基金项目"中国文艺美学对西方的影响"(项目编号:08BZW012)的阶段性成果

摘　　要：中国比较美学是在近代中外文化的激烈碰撞中产生的。从历史背景和研究成果看,它的发展可以划分为三个阶段:20世纪初到1949年是比较美学的自发研究期;1949年到1978年"新时期"开端前是比较美学的视域转向期;新时期开端至今为比较美学的学科建构期。中国比较美学作为一个新兴学科,经历了从朦胧到清晰、从自发研究到自觉建构的发展历程,其间呈现出以下三个方面的主要特征:(1)中国比较美学的产生和发展是与整个社会实践紧密相联的;(2)中国比较美学具有明显的"解构"西方中心主义的性质;(3)中国比较美学为中国美学学科的现代转型提供了反思的视角。当然,比较美学的研究中也存在一些需要解决的问题,诸如东西方视野的场域之限,单一性研究的方法之偏,学科化建构的理论之失等等。为了将中国比较美学研究不断引向深入,促进学科建设的有效推进,亟待解决好以下三个问题:如何跳出二元对峙,走向跨文化比较美学研究;如何摆脱单一性和随意性,加强多元、多层面的综合研究;如何深化理论探索,加强比较美学学科理论体系建构。The Chinese comparative aesthetics generate from the fierce collision between Chinese and foreign culture in modern times. In terms of the historical background and research perspective, its development process can be divided into three stages. The first stage from early 20th century to 1949 can be named the spontaneous study period. The stage from 1949 to about 1978 is the perspective shift period. The new age from the beginning of reform and openness to now is subject construct period. As an emergent discipline, Chinese comparative aesthetics has experienced process from obscurity to clarity, from spontaneous study to conscious construction. Three characteristics have appeared in the process which are： 1） Its generation and development relate to the social practice closely. 2） Its dis- tinct characteristic of deconstruction western-centrism. 3） It provides reflection angle to Chinese anesthetics. In order to research comparative aesthetics thoroughly and impinge on the discipline construc- tion, these problems in three levels have to be solved; One of the problems is discarding the paralleled research and making the cross-cultural study as a general trend, The second is getting rid of monotony and random, to strengthen comprehensive study also needed to be solved. The last one is the further theoretical studies, constructing comparative aesthetics theory system.

关 键 词：比较美学 中西比较 研究方法 理论体系 跨文化 

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