女性意喻:“笼中囚鸟”与“屏风上的鸟”——巴金、张爱玲家族小说中女性形象比较  

Metaphor of Females:"Bird in Cage" and "Bird in Screen"——Comparison of Female Images in Family Novels of Bajin and Zhang Ailing

作　　者：刘玉芳[1] 凌宇[2] 

机构地区：[1]南华大学文法学院,湖南衡阳421001 [2]湖南师范大学文学院,湖南长沙410081

出　　处：《中国文学研究》2010年第2期84-87,共4页Research of Chinese Literature

基　　金：湖南省教育厅科学研究项目"巴金与张爱玲家族小说比较"(项目编号:09C871)的阶段性成果

摘　　要：关注"家"中的女性,透视女性的生存价值与心态,是巴金、张爱玲家族小说的共同话题,又各有千秋。同是反映女性存在,巴金关注常态格局,张爱玲则侧重异态格局,巴金塑造了一系列具有叛逆性格的新女性形象,为妇女解放指明了一条离家出走的道路。但在张爱玲看来,离家出走不过是一个"潇洒而苍凉的手势",张爱玲对女性的另类解读,颠覆了"五四"女性神话。Caring for females at home and exploring their living values and mentality are common topics in Bajin and zhang Ailing＇ s family novels. But there are differences. Bajin focused on normal pattern, while zhang Ailing on different configuration pattern. Bajin created h series of rebellious fermal characters with a new image and pointed out an escaping way for women＇ s liberation. But in zhang＇ s opinion, running away from home is just a＇smart and desolate gesture＂. Her unique interpretation of women overturned female myth of ＂The May 4th Movement＂.

关 键 词：巴金 张爱玲 家族小说 女性形象 

分 类 号：I206.6[文学—中国文学]