论《乐府指迷》的理论特质  

The Theoretical Contributions of Yuefu Zhimi

作　　者：黄志浩[1] 

机构地区：[1]江南大学文学院

出　　处：《南京师大学报（社会科学版）》2010年第3期125-132,共8页Journal of Nanjing Normal University(Social Science Edition)

摘　　要：沈义父的《乐府指迷》是产生于南宋后期的一部重要词学论著,影响甚广。其"指迷"所向,主要是为了抵制两宋时期北曲对宋词的市井俚俗化影响,坚持词学的本色特征,坚持雅词的传统,所以在理论上提出了"雅词四标准"等一系列主张,并且通过清真词作为雅词样板,将词与曲、诗在音律、字面、表达等方面加以区别,从而显示了词学的独特品格及其理论特质。研究《乐府指迷》与《词源》的相异点,不但可以澄清词学本色论与词曲合一论的不同立场,而且也可更清晰地把握《乐府指迷》的理论特质。Yuefu Zhimi （《乐府指迷》）, written by Shen Yifu in the late South Song Dynasty, Is a very influential theoretical guide to the Ci poetry. The thrust of the book is to counteract the colloquial and vulgar influence on the Ci poetry exerted by Beiqu （北曲）. The author of the book put forward a series of relevant theories like ＂the four criteria of elegant Ci＂ in the hope of preserving the essence of Ci study and the tradition of elegant Ci. Furthermore, he argued that Qingzhen Ci （清真词） would act as a criterion to separate Ci from Qu by means of rhythm, expression, literal meaning and the like. Consequently, his approach gave people access to the distinctive features and theoretical particularities of Ci study. Analyzing the similarities and differences between Yuefu Zhimi and Ci Yuan（《词源》） will throw enough light on the different perspectives adopt- ed by the theory of Ci and that of the integration of Ci and Qu. What＇s more, this analysis will give us a clearer picture of the theoretical contributions made by Yuefu Zhimi.

关 键 词：乐府指迷 清真词 词学本色 理论特质 

分 类 号：I207.23[文学—中国文学]