句法与意蕴并重:禅宗语言观对黄庭坚的影响  

Devoting to Syntax and Aesthetic Connotation——Zen Language View's Influence on Huang Tingjian

作　　者：孙海燕[1] 

机构地区：[1]北京语言大学首都国际文化研究基地,北京100083

出　　处：《学术界》2010年第5期141-146,共6页Academics

基　　金：北京语言大学青年自主科研支持计划资助项目(中央高校基本科研业务费专项资金资助)(项目批准号09JBT010)"禅宗美学与唐宋诗风"的阶段性成果之一

摘　　要：黄庭坚信仰佛教,爱好禅宗,受禅宗"不立文字"与"不离文字"的语言观影响,他借鉴了禅宗一些语言表达方法用于诗歌创作,但在他的诗学思想中,讲究句法是与追求意蕴是并重的,只有在高远意境的役使驱动下,造语精工才有意义。Huang Tingjian was firmly convinced of Buddhism,especially obsessive about Zen.He was influenced by the language view as 'communication without words' and 'communication depending on words' ,and employed some of the language performance approaches in Zen.However,he devoted to both syntax and aesthetics connotation in his poetics.He believed that the delicate language could be meaningful only when it was steered by lofty and profound artistic conceptions.

关 键 词：黄庭坚 禅宗 不立文字 不离文字 活句 

分 类 号：I207.22[文学—中国文学]