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机构地区:[1]西华大学,成都610000 [2]四川教育学院传媒艺术学院,成都610000
出 处:《中国陶瓷》2010年第5期84-88,共5页China Ceramics
基 金:西华大学"设计艺术学"重点学科研究基金资助;编号:XZD0908-09-1;四川省哲学社会科学重点研究基地民间文化研究中心项目;编号:MJ09-26
摘 要:任何事物的发展都会经历创建、发展、衰落三个阶段,邛窑陶瓷也必然会遵循这一规律。而深究邛窑发展兴盛的客观原因,又会发现这与当时邛崃地区的传统文化和气候条件有着密不可分的关系。甚至从某个角度而言,邛崃陶瓷的发展印证了川西文化艺术的兴衰。本文通过对邛窑各个历史时期中社会人文环境的研究,来寻找出邛窑发展、成熟、辉煌、衰落的客观原因。和其独特风格形成的发展脉络。并通过对邛窑产品的工艺特点分析、个别器物研究和传统文化的关系来求出邛窑产品独有的实用性、艺术性、精神性等艺术语言特点,从而得出结论:邛窑陶瓷有着独特的地域文化语言特征,是中国传统文化精神与民间陶瓷工艺相结合的典型代表。Any thing goes through the development of the creation,development,and decline of three stages,Qiong Kiln Ceramics also bound to follow this law.And get to the bottom Qiongyao's development and prosperity of the objective reasons,will find it with the then Qionglai region's traditional culture and climatic conditions have a close relationship.Even from a certain point of view,the development of ceramic Qionglai Kawanishi confirms the rise and fall of arts and culture.In this paper,on the mound kilns in various historical periods of social human environment research to find out the mound kiln development,mature,brilliant,objective reasons for the decline.And its unique style formation of the school.And through the technological characteristics of Qiongyao product analysis,individual objects of research and to derive the relationship between traditional culture and unique Qiongyao product relevance,artistry and spirituality of the art of language features,and thus concluded that: Qiong Kiln Ceramics unique geographical and cultural linguistic features of the Chinese traditional culture and spirit with a combination of folk ceramics typical representative.
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