基于空间视域下的古代山西戏台分布特征解读  

An explanation of distributional characteristics of ancient stages in Shanxi in space vision

作　　者：柴国珍[1,2] 

机构地区：[1]太原师范学院基础部,山西太原030012 [2]扬州大学文学院,江苏扬州225009

出　　处：《东南大学学报（哲学社会科学版）》2010年第3期99-103,共5页Journal of Southeast University(Philosophy and Social Science)

基　　金：山西省高校哲学社科项目(200922030);山西省软科学基金项目(2006041043)成果之一

摘　　要：山西戏台的地域分布特征与地理环境、地域戏曲文化背景、经济富庶程度和交通状况等有着直接的关系。其地域分布特点:戏台数量随海拔递增呈倒"U"形,戏台数的密度分布呈"人"字形的分布格局,戏台的地区分布呈不对称"凹"形分布。元明清山西戏台经历了由点状分布到片状、带状的分布过程,分布广而不均。低海拔的平原丘陵、经济发达与交通便利的地区,易于接受各种表演形式的戏曲文化,戏台缺少稳定性,易更替;相反,地理环境封闭、经济落后和交通不便的山区,受外来戏曲文化影响相对小,戏台得到较好的保存,不易更替。The regional distribution of ancient opera stages in Shanxi is closely related to geographical environment,local opera background,economic development and traffic conditions.The dynasties of Yuan,Ming and Qing witnessed the distribution of stages from several places to certain regions and then to a larger band of area.The stages were widespread but uneven in different areas.In flat areas that enjoyed the economic prosperity and traffic facilities,different forms of opera were easy to be accepted,thus resulting in frequent change of stages;in contrast,in mountain areas where economy was backward and traffic was difficult,the influence of outside operas was relatively small,which consequently contributed to the preservation of ancient sages.

关 键 词：元明清 山西戏台 空间分布 

分 类 号：J805[艺术—戏剧戏曲]