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作 者:熊晓辉[1]
机构地区:[1]吉首大学师范学院,教授。湖南吉首416000
出 处:《广西民族研究》2010年第2期60-64,共5页GUANGXI ETHNIC STUDIES
基 金:教育部人文社会科学2008年规划基金项目"音乐人类学的理论与实践"(项目编号:08JA850003)阶段性成果
摘 要:音乐人类学在当代西方音乐思潮中占有非常重要的地位,并对西方音乐研究产生了重大影响。20世纪80年代以来,音乐人类学成为最引人注目的领域之一,人们对音乐人类学的研究方兴未艾。近年来,音乐人类学的观点与方法论的更新已是十分明显,不论是学科结构还是具体论述,都是新颖与鲜活的,音乐人类学的方法论探讨已成为一种不可忽视的趋势。本文从方法论的角度,对音乐人类学进行全面、深入的探讨与思考,同时对音乐人类学方法论的基本观念进行了评析,最后重点对音乐人类学方法论的可行性和局限性进行探讨。Musicology occupies a very important position in contemporary Western music thoughts, and had a significant impact on Western music, Since the 80s of the 20th century, musicology has become one of the most compelling subjects no doubtly , people ' s research of musicology is in the ascen- dant. In recent years, view and update methodology is very clear, whether it is academic structure or a specific discussion is new and fresh. Musicology ' s methodology exploration has become a trend that can not be ignored. This paper conducts a comprehensive and in - depth discussion and thinking to musicology from a methodological point of view, while takes an assessment of the basic concept of musicology methodology, finally carried out exploration focusing on the musicology methodology's feasibility and limitations.
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