昆曲男旦断层之思  

Reflections on the Decline of Male Roles in Kunqu Opera

作　　者：谢凌云[1] 冯芸[2] 

机构地区：[1]苏州大学文学院,江苏苏州215123 [2]苏州大学艺术学院,江苏苏州215123

出　　处：《常熟理工学院学报》2010年第5期111-115,119,共6页Journal of Changshu Institute of Technology

基　　金：江苏省文化厅文化科研项目"江苏昆曲生存状态与传承研究"(09YB14)

摘　　要：昆曲男旦创造了表演艺术的辉煌,但"传"字辈艺人之后出现了七十年余年的断层。如何恢复昆曲男旦表演,把"人类口头和非物质遗产代表作"的昆曲完好地传承下去,这是昆曲继承与发展不得不正视的严肃问题。恢复昆曲男旦表演意义重大。Male roles in Kunqu opera have won glory in their performance, but they have been on the decline for over seventy years since the ＂chuan＂ generation. Therefore, how to restore male roles in Kunqu opera is of great significance in order to succeed in passing Kunqu opera as representatives of ＂Human Oral and Intangible Heritages＂. And this is really a problem which needs serious and due attention.

关 键 词：昆曲 男旦 “传”字辈 

分 类 号：J809[艺术—戏剧戏曲]