索尔·贝娄对荒诞派文学的继承和超越  

Saul Bellow's Inheritance and Transcendence for School of the Absurd

作　　者：张丽华[1] 倪爱霞[1] 李岩峰[1] 

机构地区：[1]山东工商学院外国语学院,山东烟台264005

出　　处：《牡丹江教育学院学报》2010年第2期7-8,共2页Journal of Mudanjiang College of Education

摘　　要：20世纪,存在主义作家的创作开创了一个独特的文学流派——荒诞派,荒诞派作品也在很长时期内影响着当代许多大家的创作。诺贝尔文学奖获得者索尔.贝娄的代表作品便反映了人的这种荒诞的存在。本文梳理了荒诞派文学的历史渊源及特色,通过贝娄作品与荒诞派作品的对读指出了新的时代背景下贝娄对荒诞派文学的继承和超越。School of the absurd should be traced back to Existentialism,which flourished in the middle of the 20th century.And ever since then,in a long time it has influenced many famous writers in their writing.Saul Bellow,the Nobel Prize winner is a good case in point.This paper tries to analyze the origin and characteristics of absurd literature by comparing with Bellow＇s masterpieces,therefore pointing out Bellow＇s inheritance and transcendence over absurd literature.

关 键 词：荒诞派 索尔.贝娄 继承 超越 

分 类 号：I207.2[文学—中国文学]