论审美时间  

On Time of Aesthetics

作　　者：颜翔林[1] 

机构地区：[1]湖州师范学院中文系,浙江湖州410081

出　　处：《学术月刊》2010年第6期93-99,共7页Academic Monthly

基　　金：浙江省哲学社会科学规划项目"当代神话与文艺生产"(09CGZW004YB)的阶段性成果

摘　　要：西方形而上学对于时间的追问给予美学以丰富的启迪。时间决定存在者的生命形式和心理状态,存在者的时间意识引导审美活动的意向性和结构性情绪,激发对于时间存在的体验和直觉。对于时间存在的体验和直觉转换成为一种体验性的时间和直觉化时间,进入到审美时间的境域。时间意识规定时间视域,时间视域规定着审美活动的心理状况,规定着想象力的生成和艺术灵感的可能。简言之,主体的审美时间是一种超越历史境域和物理存在的共时性的精神结构,它保证着人类的诗性主体和艺术创造的精神根基。然而,现代和后现代境域的主体在一定程度上丧失古典时期的审美时间,科学主义和实证主义的时间意识引领人类进入一个实用和非诗性的时间境域,决定主体存在的非审美时间和审美活动的物化和经济思维,由此证明着审美时间的沉沦成为后现代历史语境的另一种形式的知识悲剧。The research on the time in Western metaphysics have provided a lot of inspiration for aesthetics. Time decides the life＇s forms and psychological states of human. The idea of time of human provokes the mood of intentionality and construction in aesthetic action, also stimulates experience and intuition for existence of time. The experience and intuition for existence of time are transformed experienced and intuitive time, and then enter the domain of time of aesthetics. The idea of time decides the domain of time. The domain of time decides the psychological states in aesthetic action, decides the generation of imagination and possibility of artistic creation. In short, time of aesthetics of subject is stable structure of spirit, which surmount society history and physical existence, protects the spirit foundation of poetic subject and human artistic creations. However, in a certain degree, the subject has lost the classic time of aesthetics in modern and post-modern context. The idea of time in scientism and pragmatism has become applied and non-poetic, which lead to the loss of time of aesthetics and the dissimilation and marketization of aesthetic action. So, we can say that the loss of time of aesthetics is another tragedy of knowledge in post-modern context.

关 键 词：时间 时间意识 时间视域 审美时间 

分 类 号：B83-02[哲学宗教—美学]