论喜剧小品《不差钱》中的人性与同情  

Humanity and Sympathy in Comedy Skit Money Is Not a Problem

作　　者：徐可超[1] 

机构地区：[1]辽宁大学文学院,辽宁沈阳110036

出　　处：《东方论坛（青岛大学学报）》2010年第2期55-59,共5页Eastern Forum（JOURNAL OF QINGDAO UNIVERSITY）

摘　　要：从喜剧性的类型看,小品《不差钱》属于康德、黑格尔以来的一些文艺理论认识到并标举出的"辩证的肯定性喜剧"。这类喜剧与莫里哀《达尔杜弗》、果戈理《钦差大臣》一类"彻底的否定性喜剧"有很大区别,其价值不仅在于提供娱乐,也在于传达人性内容。按照历史唯物主义观点,其人性内容是"人的一般本性"的胜利,即"每个人的全面而自由的发展"、"都有必要的社会活动场所来显露他的重要的生命力",而"每个时代历史地发生了变化的人的本性"中的"异化"成分则突然转化为虚无,因此引发人们的笑声。Comic skit Money Is Not a Problem belongs to the so-called type of＂dialectical affirmative comedies＂,recognized and advocated by literary theories since Kant and Hegel.Unlike the＂completely negative comedies＂such as Moliere’s Tartuffe, and Gogol’s The Inspector General,the value of the comic skit lies not only in providing people with entertainment,but also in expressing the human nature.According to the viewpoints of historical materialism,the humanity here means the victory of ＂general human nature＂,that is,＂full and free development of each individual＂;＂necessary social activities to prove his significant vitality＂;and the sudden melt-away of the element of＂alienation＂in＂changed human nature of each historical era＂which made people laugh.

关 键 词：喜剧性 人性《 不差钱》 

分 类 号：I207[文学—中国文学]