论宋玉及其作品的接受在六朝的演变  

Song Yu and His Works:Evaluation in the Six Dynasties

作　　者：艾初玲[1] 

机构地区：[1]湖南科技大学人文学院,湖南湘潭411201

出　　处：《辽东学院学报（社会科学版）》2010年第4期102-105,共4页Journal of Liaodong University：Social Science Edition

摘　　要：六朝是关于宋玉研究的重要时期,自晋至陈,宋玉在文学史上的地位逐步走高,论者对他的评价经历了一个由批评到揄扬的流变过程,并最终在刘勰的大力肯定下奠定了辞赋宗师的地位。随着文人对宋玉的推崇,其形象首次由楚襄王的文学侍从转变为绝世才子,而他所开创的经典文学意象在六朝文人笔下,也客观存在着一个由晋代悲秋到向梁陈女性题材创作集中的现象。导致这种流变产生的深层原因应是文学自觉向纵深发展的结果。The Six Dynasties is an important period for Song Yu study.From the Jin Dynasty to the Chen Dynasty,Song Yu＇s literary position is rising.Through a process from criticism to praise,Song Yu＇s position of great master of Fu is confirmed by Liu Xie＇s vigorously affirmation.With the highly praise,Song Yu becomes a unique talent from a literary attendant.The classical literary image he creates is changed from autumnal melancholy in the Jin Dynasty to female themes in the Liang and Chen dynasties.The reason for this change lies in the deep development of literary consciousness.

关 键 词：宋玉 辞赋 六朝 

分 类 号：I222.4[文学—中国文学]