略论文学创作风格——《文学概论》的阶段梳理(一)  

On the Styles of Literary Creation——An Initial Survey of an Introduction to Literature

作　　者：田景春[1] 杨勇[2] 

机构地区：[1]文山学院中文系,云南文山663000 [2]昆明学院文学与新闻传播系,云南昆明650118

出　　处：《文山学院学报》2010年第2期58-62,共5页Journal of Wenshan University

基　　金：云南省教育厅科学研究基金项目"边疆民族地区中文师范教育目标取向研究"(06Y399C)

摘　　要：在文学理论体系的建构中,风格是一个范畴伸缩性极强,极易引起混淆的概念。人们谈到文学风格,有时视野仅局限于作品,更多的会把视线投注到作品及其背后的作者,但很少有人将它贯穿于作品、作者、读者、生活"文学四要素"的全部,进而通过对这些因素之间的相互联系和运动规律的探询还文学风格本来的完整的面目。但是,就文学创作这个阶段性视阈而言,作者与作品是核心要素,创作个性与言语形式是创作风格形成的主要决定因素。文章就人们历来关注的问题之一即作者的创作个性与风格的形成进行探讨。Style is a flexible concept with wide and confusable senses of meaning in construction of literary theo- ry system. While talking about literary style, people sometimes limit their views within the literary works and pay more attention to the works and its author, but seldom pay attention to connection of works, author, reader, and life, i. e. four elements of literature, so as to probe a full understanding of literary style by use of the connection of four ele- ments and its moving rules. As far as literary creation is concerned, the writer and his works are two key elements, individual features and speech forms are decisive elements in a writer＇s style. This paper takes one of people＇s con- cerns： individual feature and style, to its central discussion.

关 键 词：文学理论 文学风格 创作个性 

分 类 号：I04[文学—文学理论]