桑塔格的释义反对论及其作品的实践意义  

Susan Sontag's Against Interpretation Theory and the Practical Meaning of Her Works

作　　者：习丹[1,2] 

机构地区：[1]浙江工商大学 [2]浙江海洋学院萧山科技学院,浙江杭州310018

出　　处：《安顺学院学报》2010年第3期22-23,30,共3页Journal of Anshun University

摘　　要：文章选取了《恩主》和《死亡之匣》两部作品为例对桑塔格理论进行了分析,并研究了桑塔格理论的实践意义:世界和人生是荒诞的,并且梦幻和死亡充当了实践载体的角色;同时桑塔格的反对释义理论具有局限性,即实践的不彻底;但在某种程度上,也彰显了后现代主义的情绪,从而表现出后现代性。This paper studies Susan Sontag＇s Against Interpretation Theory and its practical meaning through the analysis of her works-＂The Benefactor＂ and ＂Death Kit＂. In her works, the,world and life are fantastic; dream and death serve as the carrier of practice. It points out that her works highlight the mood of postmodernism and that Against Interpretation Theory has its own limitations.

关 键 词：苏珊·桑塔格 反对释义理论 恩主 死亡之匣 

分 类 号：I206[文学—中国文学]