赋感知以形式:华裔美国诗人白萱华的诗学突破  

Giving Form to Perceptions:Chinese American Poet Berssenbrugge's Poetics

作　　者：李贵苍[1] 

机构地区：[1]浙江师范大学

出　　处：《外国文学研究》2010年第3期28-34,共7页Foreign Literature Studies

基　　金：教育部人文社科规划课题"‘人性归一’的大同社会理想--北美华裔文学鼻祖水仙花研究"【项目编号:09YJA752020】的阶段性成果

摘　　要：当代华裔美国诗人白萱华通过40年的不懈探索,试图超越美国自现代主义兴起的诗学传统,最终形成自己独特的诗学理念和超长诗行著称的写作风格。本文在西方现当代哲学和美学的视域下,分析了她以再现感知过程并赋予这个过程以形式的哲学意义,认为她通过挖掘事物的"物性"以求真,获得了在诗学方面难得的突破。With a strenuous effort for 40 years of poetry writing,contemporary Chinese American poet Mei-mei Berssenbrugge tries to challenge and transcend the confines dominating American poetics established since Modernism.She has finally formed her own perception of poetics,and developed her unique long lines with personal marks.From the perspective of modern and contemporary Western philosophy and aesthetics,the present author analyzes the significance of her emphasis on making the process of perception perceptible through verbal representation,and argues that she has made her breakthrough by focusing on presenting the ＂materiality＂ of objects.

关 键 词：白萱华 诗学 感知 求真 

分 类 号：I712[文学—其他各国文学]