论古代观音戏的演出形态  

Performing Forms of the Ancient Guanyin Opera

作　　者：周秋良[1] 

机构地区：[1]中南大学文学院,湖南长沙410083

出　　处：《湖南工业大学学报（社会科学版）》2010年第3期98-101,共4页Journal of Hunan University of Technology(Social Science Edition)

基　　金：国家社科基金项目"观音故事与观音信仰研究"(08CZW015);教育部人文社科基金项目"观音戏与观音信仰研究"(07JC751008);中南大学985资助项目

摘　　要：在古代,观音戏的演出非常频繁,其演出形态包括脚色行当与人物造型、登场程式与舞台布景、音乐与宾白等,随着时代、地域文化的不断变化而变化。从总体上而言,观音戏的不同演出习俗反映了民间观音信仰的世俗化倾向。In ancient times,the opera of Guanyin was performed frequently,the performing forms of which include characterization,forms and formulas of dramatis personage,stage setting,music and spoken parts and etc.and are changed with the change of times and the regional culture.Generally speaking,different performing customs of the Guanyin opera reflect the popularization tendency of the folk beliefs in Guanyin.

关 键 词：观音戏 演出形态 民间观音信仰 世俗化 

分 类 号：I106.4[文学—世界文学]