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作 者:尹建宏[1]
出 处:《北京舞蹈学院学报》2010年第2期106-115,共10页Journal of Beijing Dance Academy
摘 要:对于中国民族民间舞而言,在新世纪最难以回避的关系,无疑是在民间风格舞蹈创作过程中"原生态"与"舞台化"的交锋,"地域风格"与"个性创作"的对应,以及由此生成的"民族情结"与"都市观念"的相遇。这些关系不仅显现了"传统与现代"和"雅化与还俗"两大文化特征,而且,在一定程度上还延伸到人类学、民族学以及社会学的文化范畴及其审美领域。本文通过对北京舞蹈学院副院长郭磊教授的访谈,对民间风格舞蹈的编创进行了多方面探讨,涉及田野采风、教学实践及民间文化的历史特性等相关内容,对于这些问题的理解,无疑会有助于我们对当下现实问题的研究与解决。In the 21st century,an inevitable issue for Chinese folk and ethnic dances is the competition between the"original style" and "theatricalization " in the composition of folk dances,the dialogue between "local characteristics " and "individualized composition",the encounter of"ethnic complex"and"urbanized ideas".Their relationship not only indicates the two major cultural features of"tradition vs.modernity"and "higher arts vs.lower arts",but also extends beyond the regime of dances,to the cultural categories of anthropology,ethnology,sociology as well as the realm of aesthetic appreciation.This article documents the interview with the vice president of Beijing Dance Academy.The core topic is the study of composition of folk dances.The interview also covers folk song collection,teaching of folk arts and the historical features of folk arts.The deep understanding of these issues will be greatly helpful for the research and solution of the current problems.
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