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作 者:陈诗强[1]
机构地区:[1]西南大学文学院,重庆400715
出 处:《西昌学院学报(社会科学版)》2010年第2期17-20,共4页Journal of Xichang University:Social Science Edition
摘 要:上场诗是元杂剧的重要组成部分,且数量众多,虽然有着类型化的倾向,但从中仍然可以看出元杂剧中官吏形象的特点。元杂剧上场诗中官吏和元杂剧中的官吏一样,类型比较单一,大体可分为贪官、庸官、清官三类,且各自特点鲜明。元杂剧上场诗中塑造的官吏,又有着深刻的时代烙印,他们身上带着蒙元特定时期的时代特点,因此,他们的形象也就有了更深刻的精神内涵。The entrance poetry plays an important part in the Yuan poetic dramas,and its quantity is multitudinous.The Yuan poetic dramas not only hold the typological tendency,but also charge with the characteristic of official images.The official images are the same in the entrance poetry and the Yuan poetic dramas,and the types of the official images are quite unitary,which can be divided into corrupt official,commonplace official and honest official,and their characteristics are bright.The official images in the entrance poetry have a profound imprint of the times,and they carry some specific characteristics in the Yuan Dynasty,and their images have more profound spiritual contents.
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