论我国城市公共艺术设置中的“公众性”缺席  

On the absence of "public character" in the development of our urban public arts

作　　者：李木子[1] 

机构地区：[1]安徽工程大学艺术学院,安徽芜湖241000

出　　处：《安徽理工大学学报（社会科学版）》2010年第2期105-108,共4页Journal of Anhui University of Science and Technology:Social Science

基　　金：江苏省教育厅高校哲学社会科学研究基金资助项目(08SJD7600019)

摘　　要：公共艺术伴随我国的城市化进程而呈现全面繁荣之势,但快速发展背后也暴露出"公众性"缺席的根本矛盾。其主要表现为,忽视对城市居民精神文化需要的深度探求,难以对其产生"情感的共振";创作风格趋同化,不能彰显城市精神;决策机制不透明,与周边环境关系亟待整合、协调等。而"公众性"的缺席和离场,则使得我国的公共艺术设置消耗了巨大的社会资源而难以发挥其应有的社会功能。In the process of urbanization,our country＇s public arts are endowed with an all-round prosperity.However,the absence of ＂public character＂,the fundamental conflict hidden behind the rapid development was exposed.It is mainly embodied as follows：the ignorance of deep exploration into the spiritual and cultural needs of urban residents with the result of a lack of＂emotional resonance＂;the conformity of these creative styles failing to demonstrate the spirit of the city;the opacity of the decision-making mechanism and its environment need to integrate and coordinate,etc.,in which the absence of public character makes our urban public arts consume enormous resources without performing their social function.

关 键 词：公共艺术 设置 “公众性”缺席 

分 类 号：J523[艺术—艺术设计]