日丹诺夫与朱光潜美学——重读《西方美学史》的一个角度  

Zhdanov and Zhu Quang-qian's Aesthetics: Re-Reading The History of Aesthetics in the West

作　　者：夏中义[1] 

机构地区：[1]上海交通大学中文系,上海200240

出　　处：《复旦学报（社会科学版）》2010年第4期15-23,共9页Fudan Journal（Social Sciences）

摘　　要：虽然朱光潜著述中几乎没有提及"日丹诺夫"这个名字,但日丹诺夫主义与朱光潜的关系是考察1949年后朱光潜美学的一个极为重要的视角。两者关系的历程宛如一出多幕剧,朱光潜首先用日丹诺夫主义来自我批判,然后用它来批判别人,在撰写《西方美学史》俄国"自然派"篇章时又悄悄地疏离了日丹诺夫,从而使这出关系剧一步步演绎到了最高潮。日丹诺夫与朱光潜构成如此纠缠的关系,正是朱光潜内心在20世纪50—60年代中国语境中矛盾与蹉跎的体现。Zhu Guang-qian seldom mentioned Zhdanov in his writing,but the relationship of Zhdanovism and Zhu was a crucial viewpoint of researching Zhu＇s aesthetics after 1949.The relationship was like a many-act play： firstly Zhu self-critiqued through Zhdanovism;secondly Zhu critiqued others through Zhdanovism.When Zhu wrote the chapter of the naturalism of Russia in The History of Aesthetics in the West,he alienated Zhdanovism stealthily,which is the climax of this many-act play.It was the complicated relationship of Zhdanovism and Zhu that reflected the conflicts and hesitations of Zhu in the background of discourse in 1950＇s -1960＇s China.

关 键 词：日丹诺夫 朱光潜 《西方美学史》 纠缠 疏离 

分 类 号：B83-09[哲学宗教—美学]