女性视角 自我实现——当代西方女性主义家具设计美学特征及文化内涵  

Feminine Perspective and Self Realization——Aesthetic Characteristics and Cultural Connotations in Furniture Design of Modern Western Feminism

作　　者：陈碧[1,2] 谷青[2] 

机构地区：[1]武汉大学文学院,湖北武汉430072 [2]湖南工业大学艺术设计学院,湖南株洲412008

出　　处：《湖南工业大学学报（社会科学版）》2010年第4期114-118,共5页Journal of Hunan University of Technology(Social Science Edition)

摘　　要：当代西方女性主义家具设计是设计领域的生力军。其设计理念是切入家庭,追求细节完美;女性视角,设计以人为本;多元拓展,形式内涵并重。其美学特征是色彩丰富,多为明亮或鲜艳的颜色;曲线柔美,充分考虑女性心理需求;功能实用,倾向于操作简单方便;材质多变,优先使用有舒适感的材料。而女性关怀、平等尊严、自我实现和生态设计等则是其文化内涵。The fumiture design of modem western feminism much closed to the families and its purpose is to pursue the is the perfect fresh troop in design field. Its design concept is details; the design is based on the humanism of the feminine perspective and the equal importance is attached to forms and connotations as for the multi - dimen- sional development. The aesthetic characteristics are the rich colors, most of which are bright or fresh colors; grace curves, fully considering the psychological needs of females; practical functions, tending to the simple and conven- ient operations; diversified materials, using the comfortable materials preferentially. And the cultural connotations are care for women, equality and dignity, self realization and ecological design and So on.

关 键 词：西方女性主义 家具设计 女性关怀 

分 类 号：J022[艺术—艺术理论]