先锋诗歌“词语的诗学”研究——以欧阳江河为个案  

Poetics of Words in Avant-guard Poetry Exploring:A Case Study on Jianghe Ouyang

作　　者：毛靖宇[1] 蓝棣之[1] 

机构地区：[1]清华大学中文系

出　　处：《清华大学学报（哲学社会科学版）》2010年第4期67-74,共8页Journal of Tsinghua University(Philosophy and Social Sciences)

摘　　要：在先锋诗歌对于一种"词语的诗学"的探索中,欧阳江河的理论深度和理论自觉引人注目。他写于1990年代的一些批评文章体现了如下思想:语言中词语的意义不是来自于指称,而是来自于使用;诗歌的意义也不在于写了某种外在于语言的内容,而在于诗人对语言的个人化操作。这些思想体现了西方"语言论转向"以来的哲学、诗学的影响。这种对于诗歌本体和表意机制的理解,成为了他在1990年代诗学建构中提出的"个人写作"命题的思想基础。当代诗歌先锋运动为中国新诗提供了宝贵的经验,但其弊病也十分明显。During the contemporary avant-guard poetic movements,Ouyang Jianghe's poetics of words is the most noticeable one.The critical articles he wrote in 1990s express such ideas which are under the influences of the linguistic turn,which are:the meaning of the words are not come from their references to some things,but come from the contexts in which they are used;the meaning of a poem is not come from what kind of contents beyond the language,but come from the personal operations to language.This means the poet immersed in a kind of language experience when writing.This kind of poetics of words is the theoretical basis to his advocating of personal writing in the 1990s.Such kind of language exploring in the avant-guard movements brings some new ideas to Chinese neo-poetry but causes problems also.

关 键 词：词语 语境 个人用法 “个人写作” 

分 类 号：I207.25[文学—中国文学]