重识郑振铎早期文学观中的情感论——对文齐斯德《文学批评原理》的译介与误读  

Rethinking of Feeling Theory in Zheng Zhen-duo’s Early Literary Views——Translation and Misreading of Principles of Literary Criticism by Winchester

作　　者：杨晓帆[1] 

机构地区：[1]中国人民大学文学院,北京100872

出　　处：《河北学刊》2010年第5期106-111,共6页Hebei Academic Journal

摘　　要：郑振铎的文学观通常被概括为"为人生的现实主义",本文聚焦于郑振铎1920年代初对文齐斯德《文学批评原理》一书的译介和阐发,分析其早期文学思想中的表现论色彩:以"诉诸情感之力"定义新文学之现代内涵与革命潜能;在对文齐斯德"道德情感"概念的洞见与误读中,强调情感的普遍性,形成"为人生的同情说";在具体的创作实践经验中提倡"血与泪的文学",以现实主义的写作原则落实情感动力学。只有重识郑振铎早期文学思想中强调以情感为中介实现文学社会功利性价值的观点,才能更好地理解他在参与促进新文学现实主义主潮生成中的独特思考与启示价值。Zheng Zhen- duo＇s literary views are usually interpreted as ＂realism for life＂. This paper focuses on the translation of Principles of Literary Criticism by Winchester in the 1920s and analyzes Zheng＇ s expressive color in his literary views. Zheng emphasized the universal feeling from the misreading of the concept of ＂moral feeling＂by Winchester. In writing, Zhen advocated＂literature of blood and tears＇and used realism to express feeling. We cannot understand his unique thinking and revelation from realism of new literature until we rethink his social values that feeling functions as a medium in his early literary views.

关 键 词：情感论 文齐斯德 为人生 现实主义 

分 类 号：I02[文学—文学理论]